Web Creators Show and Tell

Posted on Wednesday, April 29 by Jill

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If you’re in Toronto tonight – Wednesday April 29th – swing by Camera Lounge at 1028 Queen West at 7:30 pm for the Web Creator’s Show and Tell.

We’ll have a screening and panel discussion. My guests are

I’ll be screening an episode of Hailey Hacks.

We’ll also be talking web creation in general. There’s so much to learn. We hope everyone who comes will jump in and share what they know. Please document the event liberally with photos, video, tweets and posts.

Here's a

Good News on the Financing Front

Posted on Tuesday, April 21 by Jill

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Kelly Lynne Ashton is Director of Policy at the Writers Guild of Canada and one of the country's most wired industry executives. An entertainment lawyer turned writer advocate, KLA is an expert on new media financing. She has the added super power of being able to understand all those crazy policy documents that the government puts out. Pretty amazing skill set. Which is why I turned to Kelly Lynne to clear up some of my confusion about the the new Canada Media Fund. and what it means to digital creators.

Q

Kelly Lynne, creators have been quite unsettled about the Canada Media Fund and what it means to the funding landscape. As I understand it, funding for television projects and new media projects have been dumped into a single fund. What does that mean for digital content creators? Will there be any money for stand-alone digital products?

A

There will be an allocation for standalone. The $14.5 million that was the Telefilm CNMF will be combined with the current CTF digital pilot project money ($10 million) and possibly even more money to build a healthy fund for standalone digital. The exact allocation is one of the issues to be worked out after the new board is put in place in June but the idea is that digital is the growth area so there needs to be an increasingly larger pool of money allocated to it. Eligibility and guidelines will be worked out by next December. On top of that money though, tv projects will now have to have ancillary digital components (websites, mobile etc.) in order to qualify for funding. Again, we don’t have the details yet but the Broadcaster Performance Envelopes will fund both tv and digital components of projects. That means potentially less money for tv but more for digital.

Q

Is there other good news for digital content creators in the CMF?

A

I think the big picture good news is that Heritage sees digital as the growth area. They understand that audiences want to access their television online and that they want original digital entertainment. Heritage is trying to set up a fund that is flexible enough to support the digital environment as it grows. In the short term the good news is that tv producers will need to partner with or hire digital content creators in order to access their television funding. This should open up a lot more job opportunities.

Q

This is the secret bonus question and you will win 10 000 points if you can answer it. Has a funding model emerged for the development and production of digital content? If so, what is it? If not, where are the gaps.

A

You’re kidding me right? The only clear business model right now is for those who control access to the content. By that I mean Internet Service Providers (i.e. Rogers, Shaw, Bell etc.) and platform/device producers (ie Apple, RIM). This is why groups are asking the CRTC to impose a levy on the ISPs – they’re earning revenues from controlling access to content so should contribute to its creation. As for the actual content creators or distributors nothing has been proven yet. Advertising is small but growing. Subscription works in limited cases such as kids or massive multiplayer games. Licensing content such as games to portals is generating some revenues. What seems to me to be the big gap is advertisers understanding the value of the kind of very specific demographics interactive content can generate and identify and then paying for it. They’ll get there eventually.

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

From your lips, KLA... So there it is, CMF is good news for digital creators, but we still have a ways to go before we can actually put together a full budget.

Prime Time Emmy Interactive Category

Posted on Friday, April 17 by Jill

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Vote for Speedie Date

Posted on Thursday, April 16 by Jill

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The Webby Award nominees are up and you can vote. But first you have to navigate what might be the world's most annoying web site. They won't even show you the nominations until you've registered and then confirmed your email address by entering the activation code. Pretty dumb and stoopid if you ask me.

But there is a reason to register, that's because Lorin Wertheimer's Speedie Date web series is nominated. Here's how Lorin explains it:

Friends,

It's a tough time in America. There are neighborhoods with 50% foreclosure rates. Millions have lost their jobs. Even those with jobs have seen their life savings cut in half. The threat of inflation looms large. And there hasn't been a new episode of Speedie Date in over three months.

Are these seemingly unrelated events connected? Possibly. It's impossible to prove (or disprove) a correlation, but this much is certain: the lack of Speedie Date episodes is not making things any better.

I wish I could tell you we were going to start showing new episodes tomorrow, that this economic nightmare would be over in a matter of weeks. But it's not that simple. It never is.

And yet, we should not despair. Here's why:

Speedie Date has been nominated for a Webby Award in the "Drama Series" category, and it is about to reach a much larger audience. Not only that, if it gets the most votes from the public, it will win the People's Voice award.

Perhaps you are asking yourself, "How can I help America?" If so, there's an easy way: anyone with an internet connection can vote, from now until April 30th, for their favorite of the Drama Series contenders. And it's easy to do. You just go to http://pv.webbyawards.com/, register (which takes all of 20 seconds, and you don't get any junk mail or anything), click the "Online Video and Film" button, find the Drama Series category, and vote for Speedie Date.

If we win either award, it will mean press coverage, and possibly help us find a sponsor, which means we'll be able to release our remaining five episodes and (hopefully) make more episodes. More people seeing Speedie Date means more joy in the world. Happy people go out and do things, like buy stuff, and hire people, and create businesses. More Speedie Date means factories might reopen, banks could regain liquidity, the stock market could turn around, and the global warming trend might just be reversed (unhappy people have a bigger carbon footprint). There is no limit to the good things that might happen. But if you don't vote, we'll never know what could have been.

Help make America great again. Vote for Speedie Date.

I can only hope that there will be some spin off effect on Canada as well, because I'm still waiting for the Webby Awards to send me an email confirmationation with my activation code.

The Brain, Compassion and Social Networking

Posted on Wednesday, April 15 by Jill

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I've been thinking about the web, the brain and compassion this week. I've been listening to the audiobook version of How We Decide, Jonah Lehrer's fascinating book on the neuroscience of decision making.

One of the sections that struck me was on empathy. Lehrer points out that facial expressions play a huge role in the brain's capacity to empathize with the feelings of others. Tell people the stats on poverty and child hunger and they'll make small contributions to fundraising efforts. Show them pictures of the faces of hungry children and they'll donate twice as much.

Here on the web, in our blogs, Twitters and other social networking activities, there is a distinct lack of facial expression. Sure there are profile pictures but they don't do a very good job of telling others what we are feeling at the moment. If you've spent any significant time on the web, you know that discussions can quickly go to flame. People say and do things you wouldn't do in face to face encounters. There's cruelty, name calling and much much worse. I've written about this before, but now I think I understand it a bit better.

Our brains need to see the emotion on the faces of others in order for us to understand their feelings. It's much easier to act without compassion when your brain isn't reminding you that the there is a breathing, thinking feeling human being on the receiving end of your comments.

Over on the Fast Company site, Jamais Cascio has a post that adds more pieces to the puzzle of social networking, the brain and empathy.

Jamais reports on Antonio Damasio's new report called "Neural Correlates of Admiration and Compassion" from the Brain and Creativity Institute .

...the human brain evolved to very quickly recognize and empathize with physical pain and fear in others, but is much slower to recognize and empathize with emotional pain, or to acknowledge and celebrate virtue or skill. What this means is that, in a media environment where our social encounters happen very quickly, we may not be giving our brains a chance to generate appropriate compassion or admiration. This is especially problematic with regards to compassion, as we may find ourselves building insufficient bonds of empathy, critical to communities undergoing stress (and we're seeing a lot of stressed-out communities right now!).

Enter the social networks, particularly Twitter:

...the real issue are the forms of media where rapid-fire messaging overwhelms the brain's capacity to see consequences. Any kind of rapid interaction, where we absorb a message and then move on to a new one in a very brief amount of time, can result in this social numbness.

To some extent, the rise in the use of video on the web is going to help deal with the need for facial expressions. Already, kids are abandoning IM for video-chat. How long can it be before all web-based interactions will be via video? But that still leaves the question of length of interaction. I'd love to know what Damasio et al think of 12seconds, a video version of Twitter. Does the fact that you can see the person's face make up for the fact that the encounter is only 12 seconds long?

Either way, I don't think we're doomed to a social networking future of cruelty, social numbness and flaming. There's more recent neuro-scientific research, much of it reviewed in Norman Doidge's The Brain That Changes Itself that points out the plasticity of the human brain. We will adapt to online communication -- even if it's rapid, transient and faceless. We're still neanderthals when it comes to communicating on the web, but our brains will catch up. Empathy will prevail.

Links

Posted on Friday, April 03 by Jill

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I spent the morning with some guys who are producing what will be an awesome web series when it's done. We spent a lot of time talking about how they'll roll it out, distribute and promote it. I love the ideas and can't wait to put them into action.

Here are some of the links I shared with them. If you don't know these sites already, a whole weekend full of fun lies ahead!

Video sharing (great places to upload to and launch from):

Sharing sites:

Social sharing tools:

Covering the web series world:

Best Writing in A Web Series

Posted on Thursday, April 02 by Jill

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The Streamies were held Saturday night in LA. The winners of the web series writing awards (via Tilzy.tv) were:

Best Writing for a Comedy Web Series

Dr. Horrible’s Sing-Along Blog

Maurissa Tancharoen, Jed Whedon, Joss Whedon, Zack Whedon

Best Writing for a Dramatic Web Series

Battlestar Galactica: The Face of the Enemy

Jane Espenson, Seamus Kevin Fahey, Ronald D. Moore

Do Unto Others: The Economy of the Web

Posted on Wednesday, April 01 by Jill

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Yesterday I talked about how to drive an audience to your new web series. Much of what I talked about involves the kindness of strangers or bloggers or others. You want people to promote your project for you. In order to get them to do that, you have to promote them first.

Saul Colt of FreshBooks puts it nicely in this presentation:

So if you want someone to share their ice cream with you, start by sharing yours.


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